When a young poet (Michael Gothard, the brilliant character actor who excelled in films such as The Devils and The Valley Obscured by Clouds) hires a marketing company to turn his suicide into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture. The very first feature funded by the BFI turned out to be an audacious London art film which, although little-seen, left its mark on late 1960s British cinema, echoes of its style evident in the work of such directors as Stanley Kubrick and Nicolas Roeg. The film also features the first screen role of Helen Mirren and music by Halim El-Dabh.
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The Man Who Haunted Himself
Conservative executive Harold Pelham (a harrowing and atypical performance by Roger Moore) is involved in a car accident and declared momentarily dead. When he's eventually released from the hospital, Pelham discovers that an exact double of him has recently been seen in places that he's never be...
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The Boy Who Turned Yellow
The Boy Who Turned Yellow is the splendidly eccentric final collaboration from the eminent filmmaking duo Michael Powell and Emeric Pressburger. London schoolboy John Saunders turns a bright yellow after losing his pet mouse on a school trip. Is the mysterious colour change the result of an alien...
